The Circle In The Grey

all the rediculous melodrama of an opera, but this is no stage. this is real.

July 17, 2006

Writing on Blank Discs

How long it has been since concrete words, ideas, and thoughts have floated here...suspended themselves in the air of this greying backdrop the way piles of dust in a streak of light do. How long it has been since thoughts and and words and ideas have ceased to be abstract and loaded, to simply be what they are, and carry the meanings that they should. Meanings hoped to be, supposed to be, recognizable, known, understood. Meanings attached to the symbols, or it is not anything. Just words on a page, words in the air, circulating above for a little while, then expelled. Not anything...is that to be less desired than everything, even when it comes with the inevitable damned spilling of feelings? But oh, to remain numb. Frost bite numbs the skin it has poisoned.

How long, how long, how long. i write through the ambiguous and i express through it, and i feel through the endless enigmatic ambiguous... now, should i fear, have i left the ways of thinking in the concrete, in the solid, to have entered and reside in the world of the unknown, the unshown, the unclear. Recently i have not written - have not written...it sounds strange and anxious and out of place even to even see those three words form - out of what i presumed was a lack of substantial inspiration, motivation, emotion, condensation. Heh. Whatever. Such nonsense. i am a writer. Of course i write. i have ceaseless inspiration provided by looking at a blade of dew covered grass, at a kernal of popcorn, at the color blue, from holding a hand, from hearing an "a" quiver on the string of a violin.

So just write. Write, write, write.

Empty. Blank. Empty blank discs. Discs that should contain, that could contain, everything. But
quiet now. It's all understood. There is so much going on inside that i simply cannot grasp a hold of it and express it using modern day, contemporary, 5-vowels, native Canadian English. Or any other spoken language, for that matter. No, even my precious words, my adored written ink, can betray me, shrug shoulders and leave unable to be of assistance this time.

And so sit, and ponder, and let it be. And just try to allow emotion, try to let it be legitimate, acceptable, "ok." Just this once perhaps. What else is there? Infarction. Frost bite kills the skin it has poisoned.

6 Comments:

At 10:51 PM, Blogger ty said...

oh, the written word...so limiting, yet i find that with good old US of A standard english, you can say the same things as you can with "modern day, contemporary, 5-vowels, native Canadian English" without using nearly as many vowels. Its a very "colorful" language. but fear not Steph, you paint beautiful pictures with your limited medium quite nicely

 
At 11:57 PM, Blogger steph said...

thanks my friend.

but Ty, i know i can paint beautiful pictures...

...but i fear my art is almost always a result of pent-up emotion that is never allowed to be released in the way it desires to be released, in the way that it should be released in order to bring fullness to my existance as a human being, tragic of a position as that is...fullness that only an emotional aspect can complete...

...my art hold so much because my emotive reality lacks the former and latter...does not allow for it...

Oh, could this even possibly make any sense to you? to anyone? Does anyone out there in the world-wide blogosphere understand this?

 
At 2:39 AM, Anonymous Anonymous said...

"Every artist is a cannibal. Every poet is a theif.
All kill their inspiration
To sing about the grief." -U2

I've always thought this summed up the art of poetry perfectly.

 
At 2:12 PM, Blogger steph said...

Pleased to meet you Colleen!

i've always preferred the way the ingenious Kierkegaard sums it up:

"What is a poet? An unhappy man who in his heart harbors a deep anguish, but whose lips are so fashioned that the moans and cries which pass over them are transformed into ravishing music. His fate is like that of the unfortunate victims whom the tyrant Phalaris imprisoned in a brazen bull, and slowly tortured over a steady fire; their cries could not reach the tyrant's ears so as to strike terror into his heart; when they reached his ears they sounded like sweet music. And men crowd about the poet and say to him, "Sing for us soon again" - which is as much as to say, "May new sufferings torment your soul, but may your lips be fashioned as before; for the cries would only distress us, but the music, the music, is delightful." And the cries come forward and say, "That is perfectly done - just as it should be, according to the rules of aesthetics." Now it is understood that a critic resembles a poet to a hair; he only lacks the anguish in his heart and the music upon his lips. I tell you, I would rather be a swineherd, understood by the swine, than a poet misunderstood by men."

 
At 4:31 AM, Anonymous Anonymous said...

That's also an excellent quotation, perhaps a little more in depth than U2's...:) But what can I say? I'm a devoted fan! As far as wisdom goes, I also appreciate Søren Kierkegaard, he had a real depth to his thoughts.

 
At 9:35 AM, Blogger steph said...

i like him most because he could many times adore something at the very same time as detesting and being repulsed by it...

i'm the same way.

 

Post a Comment

<< Home